Perspectives on transparency

“Transparency’’ — a show by members of New England Wax

May 21 – June 27, 2024

Wellfleet Preservation Hall
335 Main Street in Wellfleet, MA

Reception: Saturday, June 1, 5–7pm

Open to the public Tuesday – Friday 10am–4pm, and during events.

Transparency, featuring works from 27 artists, seeks to investigate the concept of transparency in all its forms. Wax is a mutable material, capable of changing its form and adapting to its environment. Utilizing light, texture, form, and color, works in this exhibition play with the literal qualities of transparency, with pieces that are both ethereal or illusory and grounded in the physical world. Others explore the metaphorical dimensions of transparency, examining issues of trust, accountability, and communication. Through the works of a range of artists working with wax, the exhibition invites viewers to reflect on the significance of transparency in our society and explore its relationship to power, communication, and the human experience. Each piece in the exhibition offers a unique perspective on transparency and its many layers of meaning, creating a cohesive and thought-provoking narrative.

Wellfleet Preservation Hall is a vibrant cultural center that uses the transformational power of the arts to bring people together and impact positive change. It is a community center that celebrates people from all backgrounds and walks of life.

335 Main Street, Wellfleet, MA • 508-349-1800

Exhibiting Artists:
Katrina Abbott
Lola Baltzell
Edith Beatty
Hilary Hanson Bruel
Lisa Cohen
Angel Dean
Pamela Dorris DeJong
Heather Leigh Douglas
Hélène Farrar
Dona Mara Friedman
Kay Hartung
Anne Hebebrand
Sue Katz
Janet Lesniak
Ross Ozer
Deborah Peeples
Deborah Pressman
Stephanie Roberts-Camello
Lia Rothstein
Melissa Rubin
Ruth Sack
Sarah Springer
Donna Hamil Talman
Marina Thompson
Lelia Stokes Weinstein
Charyl Weissbach
Nancy Whitcomb

‘Lengthens the perspectives’

Town common in Princeton, Mass.

“Predating the merciless grid that seized Manhattan and possessed the vast Midwest, New England towns have each at their center an irregular heart of open grass, vestige of the Puritan common. {The} idea, of land held in common, as ….part of a workaday covenant with the Bestower of a new continent, has permanently imprinted the maps of these towns, and lengthens the perspectives of those who live within them.’’

— John Updike (1932-2009), American novelist, poet, short-story writer and literary and art critic. He lived for most of his adult life in Massachusetts North Shore towns.

Chris Powell: More absentee ballots means more election corruption; boffo at Bradley





MANCHESTER, Conn.

Judging by voter participation in Connecticut's most recent municipal elections, Hartford may be the most demoralized place in the state.

The Hearst Connecticut newspapers report that only 14 percent of Hartford residents who are registered to vote did so in last year's municipal election, when the city had the lowest voter participation among all Connecticut municipalities. The city's voter participation rate is actually far worse than reported, since, as with all other municipalities, many eligible residents don't even register to vote.

What is the City Council's idea for curing this civic demoralization? It's to diminish election security by mailing absentee-ballot applications for future elections to all residents on the voter rolls.

Of course, absentee ballots have been at the center of the recent election-corruption scandals in Bridgeport, where absentee ballot applications have been pressed on people who did not apply for them and completed absentee ballots have been stuffed by political operatives into unsecured ballot deposit boxes.

Absentee ballots are a necessity of democracy, but for election security their use should be minimized, not increased. For the more a voter is separated from the in-person casting of his vote, the more potential there will be for corruption. Requests for absentee ballots should be scrutinized for validation as much as the casting of completed ballots in person should be.

The Republican minority in the General Assembly is serious about this issue. The Democratic majority is not.

The Republicans propose to outlaw the mailing of unsolicited absentee-ballot applications, to require people voting by absentee ballot to include a copy of an identification document bearing a photo, to require municipalities to provide voters with photo identification without charge, the cost to be reimbursed by state government; to require municipalities to update and audit their voter rolls regularly, and to suspend use of absentee ballot deposit boxes, since the U.S. mail can do the job more securely.

xxx


PLEADING POVERTY: Should poor people have to obey the law in Connecticut? Legislation approved by the General Assembly's Judiciary Committee suggests that poverty should confer exemption from the law.

The legislation, sponsored by four Democratic state representatives, would forbid the suspension of driver's licenses for people who have failed to appear in court as ordered or who have failed to pay fines. Suspension of the driver's licenses of people who ignore court orders and judgments has been an incentive for obeying the law.

The rationale of the legislation is that poor people are less able to take time off from work to attend court and less able to pay fines, and of course they are. But if poverty is to excuse people from respect the law and the courts, why should they obey any law at all? 

Connecticut's courts already carry hundreds of cases of failure to appear. If the Judiciary Committee's legislation is enacted, the state is sure to experience much more contempt for law and an ever-growing inventory of "failure to appears" -- and somehow the Democrats will call it justice.

At Bradley International Airport


DILLON IMPROVED BRADLEY: In recent years Connecticut has put many millions of dollars into Bradley International Airport. Though the correlation between spending and improvement in state government is usually weak, the airport has improved much since the Connecticut Airport Authority was created to operate it and the other state-owned airports in 2013.

For the 11 years since then Kevin A. Dillon has been the authority's executive director, overseeing a great expansion of service at Bradley -- more international and nonstop flights, more airlines, better facilities, and more passengers, though the passenger total from the year prior to the virus epidemic has not quite been surpassed yet.


Bradley makes a huge contribution to Connecticut's economy, its business environment, and quality of life, for which Dillon must be credited. He plans to retire early next year. Before he leaves the authority should name something after him.

Chris Powell has written about Connecticut government and politics for many years (CPowell@cox.net).  

 

‘Joy shivers in the corner’

“Aunt Karen in the Rocking Chair,’’ by Edvard Munch, 1883

Here where the wind is always north-north-east
And children learn to walk on frozen toes,
Wonder begets an envy of all those
Who boil elsewhere with such a lyric yeast
Of love that you will hear them at a feast
Where demons would appeal for some repose,
Still clamoring where the chalice overflows
And crying wildest who have drunk the least.

Passion is here a soilure of the wits,
We're told, and Love a cross for them to bear;
Joy shivers in the corner where she knits
And Conscience always has the rocking-chair,
Cheerful as when she tortured into fits
The first cat that was ever killed by Care.

‘‘New England,’’ by Edwin Arlington Robinson (1869-1935), famed poet who grew up on the Maine Coast

Old High School (1870-1969) in Gardiner, Maine, which Robinson attended.

What happened to downtown Boston 'height bonus' model?

From The Boston Guardian

“The Downtown’s deferred zoning update has abruptly lost one of its core propositions, replacing a pay-for-height proposal with new ‘skyline districts’ and leaving compensation for that height to the yet undecided Article 80 process.

“The Boston Planning and Development Agency (BPDA) outlined the changes in an April 9 public meeting on PLAN: Downtown, a sweeping set of reforms that drastically changes downtown zoning to allow more businesses and, in some places, increases the maximum building height by hundreds of feet.

“PLAN: Downtown was supposed to be resolved back in November but proved controversial enough to delay full adoption and split into three parts to be debated separately this year.

“Now PLAN: Downtown seems to have lost its central ‘height bonus’ model that allowed developers to build by right up to state shadow and aviation limits in exchange for proportional donations to a community fund.’’

To read the whole article, please hit this link.

‘Protection and service’

“Freedom Arrows” (arrows, feathers (mostly turkey), wood, paint, metals, brass, beads, leather plastic, twine, acrylic paint, bone, human hair, stone, arrow heads), by Ari Montford, at the Fitchburg (Mass.) Art Museum, through June 2.

—Image courtesy of the artist

The museum says that the work “amplifies the arrow’s symbolism as tool, weapon, and message to explore Indigenous Black themes through the lens of the Native American experience of genocide. Within the museum lobby, a volley of hand-beaded arrows is suspended midair (as if just unleashed from unseen bows) and embedded in the walls. Dual concepts of protection and service, aggression and power blend with the arrows’ spiritual presence to create a space that provokes conversation about racial justice and narrative-making. Montford’s installation engages with the impact of structural racism, Indigenous trauma, and the process of creating safe spaces for restorative justice through their own voice as a Black Two Spirit Indigenous cultural practitioner.’’

On to their art careers

Moss Pallet (detail), by Ruth Douzinas, in the show “UMass Dartmouth 2024 Thesis Exhibition,’’ at the New Bedford Art Museum through May 17.

— Image courtesy of UMass Dartmouth

The museum says the show presents work of MFA students Ruth Douzinas, Zeph Luck, Matthew Napoli, Fallon Keiko Navarro and Darley Ortiz Garcia. The work of these graduating students includes painting, drawing, ceramics, digital media and site-specific installation and draw on the individual skills and interests of the students involved as well as the strong traditions of the UMass Dartmouth College of Visual and Performing Arts.

Llewellyn King: Housing, electricity and the further fragmentation of America

Levittown, Pa., housing development in 1958. There was a great deal of housing built in the 1950s.

WEST WARWICK, R.I.

Not as dark as an eclipse but two dark clouds, under-mentioned by most politicians, are forming on America’s horizon. They are the housing crisis and the growing threat of electricity shortages.

The housing crisis hasn’t caught fire as the issue one would have expected it to be among politicians. Electricity shortages are an awkward issue for President Biden because he has staked much of eahis reputation on electrifying the country with alternative energy.

As much as I am aware, neither the housing crisis nor the electricity challenge has garnered high recognition in the presidential election. Biden has touched on the housing crisis and former President Trump has denigrated alternative energy.

Both are complex issues and need urgent attention. And both defy simple, declarative political statements, which may be why they are lying there, untouched but with lethality.

Housing hurts in obvious ways, including homelessness, a reduction in the birthrate and a freeze on the mobility of labor, once one of the great economic strengths of the United States. Where there was work, workers went.

Less so during the current housing crunch: When Americans may not be able to find housing where the work is, they won’t move. The consequence: European-type labor immobility.

Another consequence is that if the free movement of workers and their families stops, it contributes to the splintering of America: The New South goes back to being the Old South and the rigidity of elitism in the Northeast hardens. The East Coast and the West Coast start to think differently: The East Coast looking to Europe and the West Coast looking to Asia. Those developments aren’t good for the body politic. Intra-nationalism is a challenge to a country of continental dimension.

For those lucky enough to have shelter, nothing delivered to it is more important than electricity. We can do without pizza delivery, mail delivery and telephone service, but we can’t survive without electricity.

If it is extremely hot for months, as it was last summer in some regions, people die. Around Phoenix, according to Arizona data, over 500 people died from heat-related causes.

In Texas, during Ice Storm Uri in 2o21, 246 people by official count froze to death. Try to imagine those people, including children, freezing to death in their homes in America!

The homeless die all the time from exposure.

A chorus of voices, led by the American Public Power Association and the National Rural Electric Association, has been sounding the electricity alarm for several years. But the crisis continues to form because there is no quick fix for electricity generation and transmission any more than for housing development.

Demand is rising because of a national movement to electrify everything, especially transportation, and the growth of data centers. Rudy Garza, president of CPS Energy, the municipally owned natural-gas and electric utility in San Antonio, said there are eight data centers planned and there are “20 more waiting in the wings.”

Utilities don’t say no. They have a history of planning for demand, but the end of that may be in sight if the data center demand, fed by artificial intelligence, continues to grow. While national electricity growth is about 2 percent per year, it is at 3 percent in high-growth areas like San Antonio and around Dallas.

David Naylor, president of Rayburn Electric Cooperative, northeast of Dallas, told me that his area is experiencing explosive growth in demand of 3 percent or more per year without yet accommodating data-center growth, although that is coming.

Technology will play a role in solving the future of housing with better construction techniques. Also, national standards would give new housing a boost — the core of the problem remains local ordinances and resistance in the suburbs and other “desirable” areas.

Some of the same not-where-we-live attitude frustrates utilities in moving renewable energy from the sunny and windy areas — mostly in the West -- to the places where it is needed.

Not-where-we-live syndrome is stunting America’s future growth. In housing, the crunch is here. In electricity, it is coming.

Llewellyn King is executive producer and host of White House Chronicle, on PBS. His email is llewellynking1@gmail.com, and he’s based in Rhode Island.

Linda Gasparello

Co-host and Producer

"White House Chronicle" on PBS

Mobile: (202) 441-2703

Website: whchronicle.com

Early crop

Lilac Sunday, every spring, at the Arnold Arboretum, in Boston.

— Photo by John Phelan

Pea flowers in spring

— Photo by Rasbak

 Adapted from Robert Whitcomb’s “Digital Diary,’’ in GoLocal24.com

“All gardening is an act of faith, but in no work in the garden is the chasm that faith must leap wider or deeper than in planting peas. In the North, where peas grow best, they are planted in April, which around here is called a spring month only out of courtesy to the equinox, much as you might call a mean, stingy and detested family acquaintance ‘Uncle’ Adolf.’’’

-- Castle Freeman Jr.  (born 1944) in Spring Snow  (1995), American author who lives in Vermont.

I’m always a bit surprised at this time of year at how quickly life comes back in bright colors, motion and smell after the freezing sterile nights of winter. Insects buzzing away, worms wiggling, birds rioting and leaves and flowers opening theatrically – on a warm day, fast. And far too swiftly, petals of flowering trees drop on the ground, making what looks like an Impressionist painting that seems to fade as you look down on it.

People  fortunate enough to have gardens feel exuberant now and line up various projects for the growing season, which continues to lengthen as the years roll by. They haven’t  yet grown weary  of weeding, and they probably won’t have to water for a while.

Or maybe they’ll say the hell with it and take out a second mortgage so they can go to Fenway.

I used to be surprised at learning about people who grew up on farms, as my maternal grandfather did, and then went off to make money in physically much easier, white-collar ways but in middle age bought a little farm as a hobby. That’s what my grandfather, who became a (mostly corporate) lawyer, did in Minnesota, with raising a few representatives of each major type of farm animal on the premises of his little farm, which he mostly visited on weekends and paid a couple to look after much of the time. Nostalgia for gritty work.

Anything goes

‘Poetic License,’’ by Patricia Busso, at New Art Center, Newton, Mass.

She says in her Web site:

“In particular, I am fascinated with how visually pleasing nature’s randomness can be; the way a row of trees is capriciously arranged, how chance groupings of flowers  color a field, the geometrical patterns created by plots of land in a countryscape, the seemingly arbitrary twists and turns branches choose to make - configurations that present themselves with confidence; like there could be no other way.’’   

And learn to accept it

In Vermont’s Green Mountains looking south from Mt. Mansfield, which, at 4,393 feet, is the highest in the range.

— Photo by Mike9827

“Life has all sorts of hills and valleys, and sometimes you don’t end up doing what you had your heart set on, but sometimes that’s even better.’’

— Ruth Buzzi (born 1936), actress and comedian. She was raised in the village of Wequetequock. in Stonington, Conn., in a rock house overlooking the ocean at Wequetequock Cove. Her father owned Buzzi Memorials, a stone-sculpture business that her older brother Harold operated until his retirement, in 2013.

Slow, but no fossil-fuel emissions!

Map of South Hadley Canal, the earliest such commercial canal in the U.S. It was opened in 1795 and was closed in 1862 because of competition from railroads.

Timothy Dwight (1752-1817), who served as president of Yale (1795-1817), traveled through New England and New York beginning in the 1790s. The first volume of his four-volume account of his travels included this description of the South Hadley (Mass.) Canal.


 Download PDF.

About five or six miles above Chequapee [Chicopee] we visited South Hadley Canal. Before this canal was finished, the boats were unloaded at the head of the falls, and the merchandise embarked again in other boats at the foot.

The removal of this inconvenience was contemplated many years since, but was never seriously undertaken until the year 1792, when a company was formed, under the name of the proprietors of the locks and canals in Connecticut river, and their capital distributed into five hundred and four shares. . . .

A dam was built at the head of the falls, following, in an irregular and oblique course, the bed of rocks across the river. The whole height of the dam was eleven feet, and its elevation above the surface, at the common height of the stream, four. Its length was two hundred rods.

Just above the dam the canal commences, defended by a strong guard-lock, and extends down the river two miles and a quarter. At the lower end of the canal was erected an inclined plane. . . .

The outlet of the canal was secured by a sufficient lock, of the common construction. When boats were to be conveyed down the intended plane, they passed through the lower lock, and were received immediately through folding doors into a carriage, which admitted a sufficient quantity of water from the canal to float the boat. As soon as the boat was fairly within the carriage, the lock and the folding-doors were closed, and the water suffered to run out of the carriage through sluices made for that purpose. The carriage was then let slowly down the inclined plane. . . .

The machinery, by which the carriage was raised or lowered, consisted of a water-wheel, sixteen feet in diameter, on each side of the inclined plane; on the axis of which was wound a strong iron chain, formed like that of a watch, and fastened to the carriage.

When the carriage was to be let down, a gate was opened at the bottom of the canal; and the water, passing through a sluice, turned these wheels, and thus slowly unwinding the chain, suffered the carriage to proceed to the foot of the plane by its own weight. When the carriage was to be drawn up, this process was reversed. The motion was perfectly regular, easy, and free from danger. . . .


From Travels in New England and New York, Volume1, by Timothy Dwight

Remnant of the canal

Where to cool off a hot public life

At The Fells

1905 postcard

Excerpted and edited from an article on The New England Historical Society Web site.

“John Hay called himself ‘the winner of all life’s prizes.’ He had fame, wealth, family, accomplishments, friends—and The Fells.

John Hay was one of President Abraham Lincoln’s two secretaries, or ‘Lincoln’s boys.’ He also ran the New York Tribune, the biggest and most influential U.S. newspaper of its day. He served as secretary of state under William McKinley and Theodore Roosevelt. And as a member of an elite literary circle, he wrote bestselling fiction and poetry.

“On top of all that, he married an extremely rich woman.

“They had homes in New York and Washington. But the stress of being a rich, famous, successful statesman and journalist could get to be too much. So in 1891, John Hay did what wealthy gentlemen did: He built a summer home in the cool northern countryside, along Lake Sunapee, in New Hampshire.

“He called it The Fells….”

To read the whole article, please hit this link.

Wear sandals

“Craggy Rock Beach” (oil on line), by New Castle, N.H.-based painter Grant Drumheller, this month as the York (Maine) Art Association.

In New Castle, the Wentworth by the Sea resort hotel in 1920. It was built in 1874 and is one of New England’s few remaining Gilded Age establishments of its kind.

Eat beef and melt

“Patty Melt” (watercolor), by Jane Goldman, in her show “Global Warming Series (2018-2023),’’ at Umbrella Arts Center, Concord, Mass., through May 5.

She explains:

“Global Warming Series (2018-2023)’is an ongoing series of watercolor monotypes on 22” x 30” Arches Hot Press watercolor paper. Dark humor sets the tone, inspired by silent-film comedians, especially the great Buster Keaton (above). In this context, the silent comedians represent all of us, experiencing global crises in slow motion. Like them, we watch the planet beset with catastrophe in ever faster motion.

“Some pieces in the series personalize the consequences of our behavior. The painting here depicts Keaton, burger in hand, amidst glacial melt, due in part to global beef consumption. Other works, such as ‘Clean Air Act,’ point out the obtuseness of ignoring our present reality. And in some works, such as ‘Teetering on the Edge,’ our Everyman is depicted in a situation right before catastrophe occurs, implying that there’s still time to alter the outcome.’’

'A furtive look'

An altered look about the hills;
A Tyrian light the village fills;
A wider sunrise in the dawn;
A deeper twilight on the lawn;
A print of a vermilion foot;
A purple finger on the slope;
A flippant fly upon the pane;
A spider at his trade again;
An added strut in chanticleer;
A flower expected everywhere;
An axe shrill singing in the woods;
Fern-odors on untravelled roads, —
All this, and more I cannot tell,
A furtive look you know as well,
And Nicodemus' mystery
Receives its annual reply.

‘‘April,’’ by Emily Dickinson (1830-1886) of Amherst, Mass.

Chris Powell: Mental illness isn’t a problem of shortage of treatment

At Connecticut Valley Hospital, in Middletown, Conn., a public hospital operated by the state of Connecticut to treat people with mental illness. Opened in 1868, it was historically known as Connecticut General Hospital for the Insane and is in a 100-acre historic district listed on the National Register of Historic Places.

MANCHESTER, Conn.

When confronting a problem most people instinctively look first for its cause and try to eliminate it.

But such logic doesn't apply so much in government, as indicated by government's response to what is reported to be an explosion of mental illness among young people.

Teachers and school administrators throughout Connecticut say many more of their students are seriously troubled these days.

The commissioner of the state Mental Health and Addiction Services Department, Nancy Navaretta, reported the other day that one in seven teenagers is mentally ill and that suicide is the second-leading cause of death for 10- to 24-year-olds. State government's child advocate, Sarah Eagan, added that 48 Connecticut children between the ages of 10 and 17 killed themselves from January 2016 through September 2022.

So members of Congress, including Connecticut's U.S. Reps. Rosa DeLauro and Jahana Hayes, are sponsoring what they call the Expanding Access to Mental Health Services in Schools Act, which aims to put counselors or clinics in more schools. Educators and social-service people in the state are cheering them on.


But even if the legislation was enacted immediately it would be many years before it had any effect on the problem. For the legislation just sets up a federal agency for overseeing the training, qualifications, assignment, and compensation of school mental health counselors.

The legislation would appropriate no money at the outset. Money might be appropriated eventually, though like everything else at the federal level these days, money for mental health would have to get in line behind money meant to continue the war in Ukraine and support illegal immigrants.

So government might be far more helpful if it investigated the causes of the increasing mental illness of young people. Exactly why are so many more young people becoming mentally ill?


At a recent gathering at a school in Waterbury, Representative DeLauro attributed the mental illness epidemic to bullying, stress, isolation, and social media. 

But young people always have faced bullying, stress, and isolation. Youth is the primary time of life for apprehension, depression, and mental disturbance. So why have the causes of mental illness in young people become so much worse in recent years? 


Schools are notorious for failing to act effectively against bullying, perhaps because political correctness does not permit seriously disciplining students for misconduct. With a little political courage, school policy could be changed.

Social media are new, but parents can disconnect their children from social media by restricting their use of mobile phones. 

Other causes of stress among children and society generally are easy to see, at least if you're not a member of Congress. In recent years inflation has been worst with the top two necessities of life, food and housing. Food banks and housing authorities in Connecticut report that food and housing inflation have made many people desperate and that even fully employed people are having much trouble supporting themselves and their families. 

But few members of Congress, and none from Connecticut, take any responsibility for inflation and the stress it has put on society. Members of Congress are content to congratulate themselves for the patronage goodies they are distributing that have been purchased not with tax money but borrowed money, money that the country never will be able to repay.


Parenting was already declining throughout the country long before government's inflationary response to the recent virus epidemic. A third or more of American children are growing up without a father in their home, thus lacking the moral, emotional, and financial support a father ordinarily would provide. Impoverishing many of these households, inflation has weakened the parenting of many more children.

Mental illness among young people might be addressed directly by aiming at its causes -- by knocking inflation down sharply and ending the welfare system's subsidies for childbearing outside marriage. 

But instead advocates of the Expanding Access to Mental Health Services in Schools Act envision a lot more government employment and regulation, as if the bigger problem is the shortage of treatment for mental illness and not the explosion of mental illness itself.

Chris Powell has written about Connecticut government and politics for many years (CPowell@cox.net).  

William T. Hall: Surviving the swarm

Text and watercolor painting by William T. Hall, a Florida-and-New England-based painter and writer

As we endured one of our family weeding sessions in our vegetable garden in Thetford, Vt., my grandfather said abruptly, and with strong emphasis, the four-letter “S-word”. It was enough of a surprise to lead grandmother to remind him that children were present. “Jesus, Mary and Joseph, Harold, your language – please!”

We all stared at Gramps as Grandmother looked over her glasses at my mother, who was smiling at her while fighting with a deep-set weed. Mother’s garden glove was full of a dozen or so vanquished weed specimens dropping dust as she looked over to me, rolling her eyes. I could see my reflection in her sunglasses as my little brother, Steve, leaned in and whispered to me , while wagging his index finger at the ground, “Naughty-naughty, Gramps” 

“What’s wrong, Dad?” my mother asked. “You okay?”, she asked, as she pulled on another stubborn weed.

He said nothing as he set his jaw and unfolded his tall frame upward from his kneeling position like a camel standing up in the desert. He was looking at the top of his wrist as if to check a watch that wasn’t there. In that hand he held a big red Folger’s coffee can half-filled with kerosene into which he had been dropping hundreds of Japanese Beetles. These he had picked meticulously from the leaves of his potato plants. This sort of thing defined one of his methods for guarding against pests in the modern age of pesticides. “Better to pick’m off and get’m before they get you.”

After he had stood up fully, he looked perplexed, as if he didn’t believe what had just happened. He looked at my grandmother and said one word,

“Bee.”

“Sting?“ My mother asked.

“No he just scratched me a — warning”.

This we all knew from being on the farm. When you work around bees they are busy, too, gathering honey. Unless you create too much commotion around bees or otherwise make them too anxious, a human usually gets a (warning) a scratch before a (sting).

A warning was when a bee dragged his stinger across your skin to give you what felt like a little hot spark. A full “sting” was, of course, much more painful and was delivered with a bee’s ultimate strength, resulting in the hooked end of the stinger deep under the skin with the bee’s abdomen still attached to feed the stinger with venom. This added to your pain immensely. For this one extreme act, the honeybee pays with its life, and for allergic recipients, the sting can cause anaphylactic shock. To that person multiple stings all at once could cause death.

To my grandfather this “scratch” seemed like an unprovoked over-reaction, and he didn’t understand what he had done to deserve it.

Harold had been stung several times in his life but he understood that each time he’d done something provocative. When he saw that there were lots of other bees around us not harming us, it seemed as if nothing menacing had happened, so what was the big deal? Grandpa was insulted. He shook his head. My mother, teasing her father, asked him, “Dad, did you make a mistake? You know the difference between a Japanese beetle and a bee right”?

We all laughed and looked at my grandfather, wanting to gauge his reaction to my mother’s tease. He held the coffee can in one hand and laughed politely at the ribbing. He was always a good sport.

“I’m glad I didn’t sit on him”, he said and got a double-good laugh from all of us.

But as he was looking at us he was still wondering why there seemed to be so many bees everywhere in the air. They swirled like embers from a campfire. It was a busy confusion in orange, black and tan reminding him of when he attended his mother’s beehives at their turkey farm in Walpole, Mass., years before.

“Gramps! What’s is that?” asked my brother Steve he excitedly pointed to the sky above and behind Gramp’s silhouetted upper torso. 

“Harold!” My grandmother shouted sharply, my grandfather and the sky above him reflecting in her glasses.…

Gramps looked at her perplexed as he turned to see what she meant. Something amazing and frightening was happening in the sky behind him. He had never seen anything like it before, and nor would he ever again. He looked back in awe at a jet-black roiling cloud in the sky over the Connecticut River. “It’s bees!”Then suddenly,“ SWARM!” he yelled as he set down his coffee can.

“What the heck!?” My mother exclaimed as she stood up, dropping her spade and the weeds from her gloves. 

“Gloria, Quick help me up!” my grandmother yelled. My mother said frantically, in a commanding voice, to Steve and me, “Kids, get your grandmother up and head to the house”! As we helped our 200-pound grandmother to her feet, our mother rushed to her father’s side asking. “What should we do? Dad?”

They both looked up at the cloud and now we all could hear the sound of the bees, which mimicked the sound of a breeze blowing through tree leaves.

My grandfather mumbled something unintelligible in Swedish under his breath.

“Pop, in English!”, my mother asked in a slightly panicked tone. “What should we do?”

Without taking his eyes off the swarm, Gramp said, “Yes, get Lillian to the house, but don’t run, Ok? Just walk fast and don’t panic. We must not spook the swarm. Look at them! They look pretty riled alread.”

“Harold, you be careful,’’ my grandmother said.

“We’ll be fine, ’’ he said.

“Somewhere in the middle of the swirling mass is the Queen. Bees will do anything to protect their Queen. They’re looking for a new hive. These other bees down here are the scouts”.

Our farm was on the floor of Vermont’s Upper Connecticut River Valley about a football field’s length from the river and a mile’s south of the village center of Thetford. Our barn was in the middle of our property between two 25-acre fields, with two big shade-maple trees taller than any other trees next to the barn, which was four stories tall, from the basement to the peak of the open hayloft.

The whole barn structure was basically open. It was June, and the barn was empty of hay. There was one window in the peak and an open hay door in the end. The barn was designed to suck air in at the basement pig stalls on the backside of the building and to direct it inward and upward out through the big open barn doors and hay doors in both peaks. Those doors were 16 feet tall and were at the top of the earthen ramp that led to the second story. The ramp was designed for horses pulling full hay-wagons up into the big main hay-storage room. The main room was enormous, about 40 by 60 feet and 45 feet to the peak, where the hay trolley track and unloading-fork still hung covered in cobwebs.

Grandpa knew that the swarm of bees high in the air above our barn probably saw what looked like the perfect place for new beehive — a place with the perfect size and shape to house what seemed like a zillion tired and desperate bees and their queen.

My grandfather could see this in the few moments he had to scope out the problem and he understood that the welcome mat would be out until he could close up the barn to keep out these unwelcome guests.

Gramps now could hear the house windows being slammed down shut and the garage door being closed in the long shed off the main house. The ladies had done their job. The house would be a secure hiding place for the family no matter what happened in the other buildings. Grandpa’s carpentry shop, the hen house, a little stone milk-house and our barn were the only possible manmade homes for the bees.

The area directly above and behind the barn was a jet-black fuzzy moving mass. The swarm covered the whole width of the house, barn and shade trees. The scene reminded Gramps of the sand-and-soil clouds during the 1930’s Dust Bowl. Like those roiling clouds, the cloud of bees had a dark and menacing look.

Like a monster in the sky, the cloud seemed to lurch forward, north up the river, and then roll back on itself down the river as if there was dissension in the cloud of bees.

The air around us was still filled by a blizzard of bees, but even though we were occasionally scratched by the frantic scouting insects, we did not feel in danger. We could see their dilemma. We did not want to make their plight any worse than it was, but they could not have our barn, from which it would have taken months and lots of money to dislodge them. Worse, many bees would die in the removal. Maybe the bees could feel this, or maybe they were totally unaware of us, but they continued to leave us alone.

Gramps knew that with any flood of living things — humans, cattle, turkeys, fish and so on, only so many of them could get through a restricted opening at once without catastrophic results.

They had only their instinct to protect and nurture their queen. Each individual bee was devoted to its queen first, then secondly to the whole hive. Beyond that simple reality they had not evolved.

They were incapable of leaving her but confused about where to take her. At this point they seemed at a crossroads.

“Billy, go to the basement of the barn and close all the pig-pen doors down there,’’ Gramps told me. “Make sure the bees can’t get through any cracks. Throw hay at the bottom of the doors to close up the gap. Then meet me at the front ramp and we’ll close the big doors together. We can get to the windows last. Listen to me.…If this all turns bad, then get to the house and your mother will know what to do”.

“Where are you going, “ I asked.

“I’ll go to my shop and see if I can close it up. It’s wide open”.

“What about the chickens,” I asked.

“I don’t know? They eat bugs. They’ll have to fend for themselves”.

The cloud of bees was hanging over the rear pasture and getting closer to the barn by the minute, casting a dull shadow as when a cloud causes a shadow in the valley. I did get stung when I closed the last pig-pen door and I put my hand right on a bee. It hurt, but I sucked on the spot and kept moving.

When I got to the big doors in the front of the barn, grandfather was there. He’d rolled the burn-barrel up the ramp, saying that would be a last resort. He would start a smudge fire in the barrel to smoke out the incoming bees if it became necessary. The thought of any open fire in our barn made us both sick to think about. “Would you really risk that”, I asked my grandfather.

“No. I don’t think so, but we’ll see”.

As we rolled the barrel into place, something in the changing sky caused a shift on what had been sun-lit ground to scattered shadows there. With that change came a slight drop in temperature.

The moment seemed to signal something within the swarm. The bees moved. They roiled northward, and then suddenly their pace increased and they seemed to rise up farther. There was a bulge in the front of the cloud as it headed up river. The swarm passed over the iron bridge a half mile away at East Thetford and continued headed north, up the river. Where there had been millions of scouting bees at our farm, in a few minutes there were none.

The swarm eventually disappeared into far northwestern New Hampshire, where they were believed to have taken up residence in the stacked-up wrecked automobiles in a large junkyard abandoned years before, and then, finally, in spectacular Franconia Notch.

Little by little, one of those companies that catches and ships bees were able to capture many of the insects and transport them to areas of the U.S. that suffered from a deadly fungus that still endangers bee populations today.

Where the bees came from in such large numbers and why they took flight has never really been determined.

'Reflection of the presence of time'

“Untitled” (various media on panel), by Cambridge, Mass.-based George Shaw, in his current show, “Architecture of Time,’’ at Galatea Fine Art, Boston.

Mr. Shaw says:

“Architecture has always fascinated me because of its presence and how it modifies our experience of place and time. The pieces in this show are a reflection of this and are intended to be a meditation on objects as a reflection of the presence of time. Time is essential to our sense of being, yet it is intangible and only manifests itself in our memories and objects.’’

Another invader from the South

From ecoRI News

Cliff Vanover knew something was wrong one night while traveling in upstate New York in 1995. His palms got itchy, then he got hives, then ‘my body was one solid hive,’ he said. He had gone into anaphylaxis, a severe allergic reaction.

“His wife had antihistamines for her own allergies, so he took some and the symptoms subsided. But then it happened again. ‘I had no allergies at the time,’ Vanover said, so he went to an allergist, who did a series of scratch tests. The Charlestown, R.I., resident learned he was allergic to beef, lamb, and pork.

“Although there was no name for it three decades ago, when Vanover contracted it, he had what is now known as alpha-gal syndrome. It’s caused by the bite of a lone star tick, and it’s going to become a lot more prevalent here in New England {as they move north}.’’

To read the full article, by Bonnie Phillips, please hit this link.