Brookline Arts Center

Consuming beauty while extracting resources

“Melas Chasms Sunrise,’’ by Isabel Beavers, in the show “Golden Spike,’’ at Brookline (Mass.) Arts Center, through Jan. 31.  This is a three-person exhibition about the environment and climate change. A "golden spike" is presented as a signifier of …

Melas Chasms Sunrise,’’ by Isabel Beavers, in the show “Golden Spike,’’ at Brookline (Mass.) Arts Center, through Jan. 31.

This is a three-person exhibition about the environment and climate change. A "golden spike" is presented as a signifier of the extreme man-made change in recent geologic record. Artists Beavers, Allison Gray and William Van Beckum explore the concept of "anthropocence," or the landscape as evidence of humanity's mark in time through models and other representations of landscapes from across history. "We simultaneously consume aesthetic beauty from landscapes, while treating them as sites of extraction and destruction," the artists say.

Overlooking Leverett Pond in Olmsted Park in Brookline

Overlooking Leverett Pond in Olmsted Park in Brookline

Here’s an edited version of a Wikipedia list of historic buildings in Brookline (Massachusetts’s largest town) that are open to the public:

After-dinner art

"Occhi''  detail, by Dave Bermingham,  part of his site-specific installation based on his "Occhi'' sculptures, at the Brookline  (Mass.) Arts Center through Sept. 21. His sculptures, made of discarded plates, platters and  …

"Occhi''  detail, by Dave Bermingham,  part of his site-specific installation based on his "Occhi'' sculptures, at the Brookline  (Mass.) Arts Center through Sept. 21. His sculptures, made of discarded plates, platters and  other dinnerware, address ideas about superstition and desire. The gallery says he "invites the community to contribute similar objects of their own to be incorporated into the exhibition.''  Bermingham is also working on a new work titled "Cant Slang," pieces that blend poetry, Morse code, beading and sculpture.

Thinking outside the frame

"Evaporation, flow study #7,'' by Patty Stone, at the Brookline (Mass.) Arts Center group show "Unframed,'' June 15-July 20.   The show displays unframed art work  on paper. The gallery says that "Each piece is purposely displaye…

"Evaporation, flow study #7,'' by Patty Stone, at the Brookline (Mass.) Arts Center group show "Unframed,'' June 15-July 20.   The show displays unframed art work  on paper. The gallery says that "Each piece is purposely displayed directly on the gallery wall, allowing a more thorough exploration of each piece. 'Expanding and releasing the paper from its constraining structure often creates visual, as well as structural problems within the work,' said Elaine Sapochetti, one of the artists  in the exhibition. 'Yet, challenging these restrictions also makes the development of the art endlessly exhilarating and the completed work always a surprise. Just as in life, pushing boundaries can frequently lead to new, complicated, exciting, and inspiring revelations."'

Migration and our sense of place

"Migration,''  by Adrienne der Marderosian, in the show "Up/Rooted,'' at the Brookline (Mass.) Art Center, March 17-April 21.

"Migration,''  by Adrienne der Marderosian, in the show "Up/Rooted,'' at the Brookline (Mass.) Art Center, March 17-April 21.

The gallery says that the show "explores origin, displacement and the influence of the past on the future...and how culture and identity relate to our sense of place.'' The show includes 59 artists working in painting, mixed media, photography, charcoal, glass, monoprint and more.

Architecture as 'symbol of cultural values and history'

From the show "Scenes From Late Capitalism,'' by Nathan Heuer, at the Brookline (Mass.) Art Center, Feb. 3-March 10. 
 

 

 
Normal
0




false
false
false

EN-US
JA
X-NONE

 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 


 <w:LatentStyles DefLockedSt…

From the show "Scenes From Late Capitalism,'' by Nathan Heuer, at the Brookline (Mass.) Art Center, Feb. 3-March 10.

The gallery writes: 

"Heuer's work is largely concerned with the role of architecture in society as a symbol of cultural values and history, using watercolor and graphite to create both small- and large-scale works. ''