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You have 5 minutes to untangle

Aerial Lavender(ceramic and mixed media), by Linda Leslie Brown, in her show “Entangled,’’ at Kingston Gallery, Boston, through Nov. 28.

Ms. Brown, who lives in Boston, says of her recent work:

“My recent sculptural work draws upon the transformative exchanges between nature, objects and viewers’ creative perception. These works are rife with allusions to the body. At the same time they suggest the plastic, provisional, and uncertain world of a new and transgenic nature, where corporeal and mechanical entities recombine. And because they are small — no larger than a human head — they invite viewers to engage in an intimate examination that is both delightful and disturbing.’’

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But is it edible?

“Survival Mode” (ceramic, plaster, vinyl, foam, pigments), by Linda Leslie Brown, in her show of the same name at Kingston Gallery, Boston, through Dec. 29   Linda Leslie Brown: Survival Mode  December 4&#8211December 29, 2019

“Survival Mode” (ceramic, plaster, vinyl, foam, pigments), by Linda Leslie Brown, in her show of the same name at Kingston Gallery, Boston, through Dec. 29


Linda Leslie Brown: Survival Mode

December 4&#8211December 29, 2019

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It's all reusable

“Busted Statues” (mixed media), by Linda Leslie Brown, in her show “Plastiglomerate,’’ at Kingston Gallery, Boston, Oct. 3-28.

“Busted Statues” (mixed media), by Linda Leslie Brown, in her show “Plastiglomerate,’’ at Kingston Gallery, Boston, Oct. 3-28.

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'Allusions to the body'

"Fused'' (mixed media), by Linda Leslie Brown, in her show "Plastiglomerate,'' at Kingston Gallery, Boston, Oct. 3-28. The gallery says:"As a sculptor Linda Leslie Brown’s work metaphorically plays with the literal and the imagined as seemingly rand…

"Fused'' (mixed media), by Linda Leslie Brown, in her show "Plastiglomerate,'' at Kingston Gallery, Boston, Oct. 3-28. The gallery says:

"As a sculptor Linda Leslie Brown’s work metaphorically plays with the literal and the imagined as seemingly random, mostly discarded materials interact to build works rife with allusions to the body. At the same time, her sculptural assemblages suggest the plastic, provisional and uncertain world of a new and transgenic nature where corporeal and mechanical entities recombine, serving as relics of possible futures and symbols of human behavior on the global environment. Her sculptures suggest a creaturely symbiosis as with holobionts: assemblages of different species that form ecological units.''

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