‘We are still here’

The cairn in question.

Adapted from Robert Whitcomb’s “Digital Diary,’’ in GoLocal24.com

I wrote too whimsically in an Oct. 23 column that I had come across this cairn while walking on the lawn at the Roger Williams National Memorial, in downtown Providence, and asked what it is. Here’s the answer from the National Park Service, via my friend Ken Williamson, who lives in Hawaii.

“This cairn, or stone pile, depicts pieces of Narragansett {Tribal Nation}
history from pre-contact {with Europeans} through today. Built by Narragansett artists associated with the Tomaquag Museum {in Exeter, R.I.} it expresses the fact that WE ARE STILL HERE. The cairn is at the center with 4 raised stones around it representing the Four Directions. It is a meditative circle, representing Narragansett lives, history, and future which brings us full circle. Sit down and reflect on your own past, present and future and its intersection with the Narragansett people.

“The Narragansett Tribal Nation has lived on these lands since time immemorial. Their ancestors respected all living things and gave thanks to the Creator for the gifts bestowed on them, as do Narragansett people of today. Lynsea Montanari & Robin Spears III, both Narragansett, served as summer arts interns at the memorial for this project. They incorporated their own cultural knowledge with teachings by tribal elders regarding first contact with European settlers, genocide, displacement, assimilative practices, enslavement, continuation of language, ceremony, and other cultural practices. The artists chose to create a cairn as it is a part of the history of all indigenous peoples. There are many historic cairns in the Narragansett landscape.’’

 xxx

My strongest memory of Native American cairns comes from driving with my wife in the forests along  the northern side of gorgeous Georgian Bay in Ontario. You can’t go far there without seeing a cairn or other stone sculpture on a slope above the road.

Tomaquag Museum, in the Arcadia section of Exeter, R.I.

—Photo by John Phelan