“Labor” (colored pencil on paper), by Azita Moradkhani, at Samson Projects, Boston, through May 21.
The gallery says:
“Azita Moradkhani was born in Tehran where she was exposed to Persian art, as well as Iranian politics, and that double exposure increased her sensitivity to the dynamics of vulnerability and violence that she now explores in her art-making
“Moradkhani’s work in drawing and sculpture has focused on the female body and its vulnerability to different social norms. It examines the experience of finding oneself insecure in one’s own body. As Wangechi Mutu says, ‘females carry the marks, language, and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body.’ In her drawings, the incorporation of unexpected images within intimate apparel intends to bring humor, surprise and a shock of recognition. Layers of hazy images reveal stories, with the hope of leaving a mark on the audience. Two worlds–birthplace and adopted home–live alongside each other in her work, joining intimately at a single point.’’
