The museum says that the work “amplifies the arrow’s symbolism as tool, weapon, and message to explore Indigenous Black themes through the lens of the Native American experience of genocide. Within the museum lobby, a volley of hand-beaded arrows is suspended midair (as if just unleashed from unseen bows) and embedded in the walls. Dual concepts of protection and service, aggression and power blend with the arrows’ spiritual presence to create a space that provokes conversation about racial justice and narrative-making. Montford’s installation engages with the impact of structural racism, Indigenous trauma, and the process of creating safe spaces for restorative justice through their own voice as a Black Two Spirit Indigenous cultural practitioner.’’
In the protest age
Near the Arctic Circle, year-round outdoor swimming
Fun in Fitchburg when we need it
'Labored Landscapes'
Fitchburg grew rapidly in the 19th Century as an industrial center, as did many New England communities. Importantly, the Nashua River runs through the city. Originally run by water power, large mills produced machines, tools, clothing, paper and firearms. The city is still known for its architecture, particularly in the Victorian style, built at the height of its mill town prosperity. A few examples: The Fay Club, the old North Worcester County Courthouse and the Bullock House.
'Fire and Light' in Fitchburg
'People Watching: Then and Now'
A certain look at nature
The museum says :"With artworks spanning from a decade ago to works that have never been seen by the public, 'A Curious Nature' provides viewers with insight into the artist and her transformation throughout the years. The exhibition features a variety of works, including black and white canvasses (e.g., above) and oil on paper. Her subject matter ranges from large scale scenes with animal and botanical details and more intimate portraits. ...Reed also includes several predator/prey images, detailing the stalking, contemplation, and attacking of these beings while encouraging the audience to contemplate who is watching whom both in the artworks themselves and the inspiration.''