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Robert Whitcomb Robert Whitcomb

'Anything But Flat'

“Do Women Need Support?’ ‘ (bras made of Encaustiflex and painted with encaustic paint.), by Nancy Whitcomb, in the “Encaustic Juried Show: Anything But Flat,“ at Truro Center of Castle Hill for the Arts, Truro, Mass., through June 6.

“Do Women Need Support?’ ‘ (bras made of Encaustiflex and painted with encaustic paint.), by Nancy Whitcomb, in the “Encaustic Juried Show: Anything But Flat,“ at Truro Center of Castle Hill for the Arts, Truro, Mass., through June 6.

To see information on the show, please hit this link.

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Robert Whitcomb Robert Whitcomb

If only I had written it down too

“My Young Father’s Drawings’’ (encaustic), by Nancy Whitcomb, now showing at the Providence Art Club.

“My Young Father’s Drawings’’ (encaustic), by Nancy Whitcomb, now showing at the Providence Art Club.

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Ambiguous homecoming

“After Dad Came Home’’ (encaustic/mixed media), by Nancy Whitcomb, in the “Members Exhibition’’ at the New Bedford Art Museum, through March 17.

“After Dad Came Home’’ (encaustic/mixed media), by Nancy Whitcomb, in the “Members Exhibition’’ at the New Bedford Art Museum, through March 17.

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More bridges to nowhere

"The Beauty of Broken Bridges'' (encaustic painting), by Nancy Whitcomb

"The Beauty of Broken Bridges'' (encaustic painting), by Nancy Whitcomb

So whatever happened to Trump's promises to start rebuilding America's collapsing infrastructure, which is about the worst in the Developed World?

Hit this link to find out

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Crazy, hazy days coming

"Summer Blur'' (encaustic) by Nancy Whitcomb, in the group show "Four Explore,'' with Angel Dean,  Mimo Gordon-Riley, Nancy Gaucher-Thomas and Priscilla Foley Blackman, at the Providence Art Club, April 23-May 12.

"Summer Blur'' (encaustic) by Nancy Whitcomb, in the group show "Four Explore,'' with Angel Dean,  Mimo Gordon-Riley, Nancy Gaucher-Thomas and Priscilla Foley Blackman, at the Providence Art Club, April 23-May 12.

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Aren't we all these days

"Coming Undone'' (encaustic painting), by Nancy Whitcomb, in the show "Making Her Mark: A celebration of the Providence Art Club as a cultural force for women artists,''  at the Providence Art Club (founded in 1880), through April 22. Mrs. Whit…

"Coming Undone'' (encaustic painting), by Nancy Whitcomb, in the show "Making Her Mark: A celebration of the Providence Art Club as a cultural force for women artists,''  at the Providence Art Club (founded in 1880), through April 22. Mrs. Whitcomb won  the Mary Castelnova Painting Award in the show.

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We're beyond this -- maybe

"Winter Blues'' (oil on canvas), by Nancy Whitcomb, in the show From "Wit and Whimsy (Nancy Whitcomb) to Underwater Photography" (Neil Greenspan, M.D.) at the Gallery at Temple Habonim, Barrrington, R.I., March 4-May 5. Artists' reception Sunday, March 6, 1-3 p.m. 

Temperatures may reach close to 70 this coming week, and we've had  a very mlld winter, except for a couple of days of record lows last month. But  blizzards  can descend on us in March -- most famously the Blizzard of '88 (1888), which paralyzed the Northeast for days, and three big snowstorms in a week in March 1956.

Still, that the crocuses are blooming in south-facing places raises one's hopes. Soon we'll enjoy the sweet melancholy of spring fever, which has always reminded me of the similar mood created by Indian Summer, in late October and early November.

--- Robert Whitcomb

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Returns of the day with coffee and doughnuts

  owl

 

"The Pundit'' (mixed-media encaustic), by NANCY WHITCOMB

 

I have many vivid memories of Election Days. First, there were  those  jolly little Eisenhower-for-President parades in  '52 and '56  in the  overwhelming Republican town I lived in. Then there was  anxiously watching very late into the night the dubious election of 1960 as returns were dragged  from (and invented in) Illinois and Texas to hand the  victory to Kennedy.  My mother, who was,  well, crazy, was so angry about the outcome  that she tried to throw the heavy new "portable'' TV on which she had watched the returns out the window but was restrained.

After Kennedy took office, my mother developed a weird romantic (erotic?) attachment to the Kennedys and was devastated about the  murders of John and Robert -- events that my calm father responded to with remarkable, even eerie equanimity, even for him.

I remember Nixon's graciousness on TV about his defeat, though of course his resentments continued to simmer.

Then there was the dubious presidential election of 2000, with the Republicans taking that brass ring via Florida machinations and the U.S. Supremes, though it took weeks to be sure who  officially "won''.  To this day, who knows who really got more votes in Florida -- Gore or G.W. Bush? By that time I was too tired of politics to stay up most of the night watching the show, which I had done for decades, mostly because it was (sort of) part of my job.

But one election I remember with great pleasure. In November 1970 the old Boston Herald Traveler sent me to Pittsfield , Mass., to get the election returns from Berkshire County.  It wasn't a presidential-election year but there was plenty of excitement about close New England races.

I had no idea how to go about getting the tallies in t. No one on in Boston gave me any guidance.  "Bobby, just get them to us as soon as you can,'' was the directive from the city editor. In other words, be inventive. It was a test of my skills in the face of inexperience.

And not only did the paper urgently need the returns as soon as they were official but, even more urgently, the TV and radio stations they owned did. They were updating about every 15 minutes!

But I didn't have a clue.  I first thought that maybe I should go to Pittsfield City Hall and some old Board of Canvassers guy could help me out. Or maybe the headquarters of Silvio Conte, the GOP congressman from western Massachusetts. As  I wandered, increasingly anxious, down the streets of this mill town/county seat, (General Electric virtually owned it) on that wan November afternoon, I came across a radio station.

Maybe someone there could help me. This was before the huge radio-station chains took away most of the local  sounds (including accents) you used to get on your local radio station, replacing them with national call-in blowhards, infomercials and other canned stuff. In the old days, most of the dominant small-city radio stations had at least one or two  local news people and  a news announcer with a nice baritone. (He might moonlight as the "Music in the Night'' announcer. Percy Faith and his Orchestra.)

I went into the station and sat down in the waiting room. Some middle-aged guy wearing a tattered tweed jacket  came out and asked me what I wanted. "I have no idea what I'm doing. How do I collect all these votes?'' I said apologetically.

He asked me if I knew anyone around there. Well, yes, -- Frank Strom, an uncle of mine by marriage who had run  the big local bank.  (He later moved to Providence and did a fine job running the Old Stone Bank (RIP, both of them).

"A great man!,'' he said, noting that my uncle had provided ''half this town with mortgages.''

"We'll take care of you,'' he promised. Then a secretary brought me  a doughnut and a cup of coffee and directed me to a phone in the corner. There I camped out for most of night as they brought me sheets of paper with returns scrawled in them  (collected by one of the station's newsmen) to call in to the grumpy rewritemen in Boston. The station had "runners'' from all over that hilly county calling in votes.)

From time to time the station manager would  relate some tales  of local politicians, informed by cynicism and idealism, dislike and affection. I never quite figured out his political affiliation, if he had any.

The tough customers at the Herald Traveler were impressed with my speed and efficiency. I had a very pleasant drive back to the office the next day; the Massachusetts Turnpike had never looked lovelier. Of course I never told them how I got those golden returns.

 

 

 

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