Beyond makeup

“Shedding” (mixed media), by Christine Palamidessi, in her show “The Future Has an Ancient Face,’’ at Galatea Fine Art, Boston, for month of October.

The gallery explains:

“In 2020, Christine Palamidessi called on the Goddess Nike, the embodiment of Victory, to make a comeback. ‘Who are the warriors, the champions, and what challenges are they fighting?’ the goddess asked. ‘Pandemic. Politics. Conspiracies,’ the artist answered. Nike handed Palamidessi her face, ‘Use it,’ she said.

“The artist used Nike’s face as a container to make masks that embody a swirl of words and emotions: Wuhan, Shedding, Lockdowns, Culture Cancelling, Recounts. She painted, stitched, bejeweled and wrote on the masks; some are frightening and others make us smile. Each reminds us we survived something hard: we entered a world that was interrupted and have the opportunity to create a different, more humane way of life -- a life without masks.’’

Maybe it's better that we don't now

“Laptop Icon - We Used to Talk to Each Other ‘‘ (plaster), by Christine Palamidessi, at Galatea Fine Art’s (in Boston) online gallery

An iconic show

From Christine Palamidessi’s show “Icons & Talismans,’’ art inspired by the Byzantine frescoes of Puglia, Italy, at Galatea Fine Art, Boston, Feb. 5-March 1

Accepting imperfection and transience

“Kintsugi Plate,’’ by Christine Palamidessi, in the “Wabi-Sabi’’ show at Atlantic Works Gallery, Boston, through March 2.

This exhibition features the work of Palamidessi and Bo Petran in their experiments with classic Japanese aesthetic of Wabi-Sabi, which is based on an acceptance of imperfection and transience. Artscope says that Palamidessi calls the work "irregular, intimate, unpretentious, earthy, murky, [and] simple." Palamidessi's works include broken ceramic plates repaired via the Japanese art of kintsugi, and Petran has created a suspended wax-and-paper angel sculpture called "Siddhartha’’.