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Sarah Springer

Our water wonders

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At The New Bedford Art Museum, Jan. 21-March 14

(Timed-Ticket Reception: 3/13/2021, 12 – 2 PM)

Featuring: Willa Vennema, Stephanie Roberts-Camello, Pamela Dorris DeJong, Lola Baltzell, Nancy Whitcomb, Lia Rothstein, Deborah Peeples, Kay Hartung, Marina Thompson, Angel Dean, Lelia Stokes Weinstein, Ruth Sack, Sarah Springer, Charyl Weissbach and Camille Davidson

“Fluid States: New England Wax/New England Waters’’  highlights encaustic artworks inspired by New England’s historic and awe-inspiring coasts. Themed around the fluidity seen in both wax and water, Fluid States explores New England’s ecological richness and fragility. Protecting our water and the life that depends on it is an urgent necessity. In this exhibition, the artists address this urgency as they work to express water’s sheer beauty through innovative approaches to an ancient medium.

New England Wax (N.E.W.), founded in 2006 by Kim Bernard, is a professional organization of artists living and working in the six New England states. Since its inception, N.E.W. has sought to provide opportunities to exhibit, share technical information and aesthetic ideas, and build a network of like-minded artists working in the ancient medium of encaustic. The mission of N.E.W. is to promote excellence in fine art made with encaustic, educate the general public and collectors, raise awareness of the medium, and challenge its members to grow as artists.


A river runs through it?

Work by Sarah Springer, of Lexington, Mass., in encaustic, powder pigment, paper.She says:“Much of my work is inspired by my fascination with maps of all kinds, and what they tell us about societies’ intrinsic desire to not only create but also docu…

Work by Sarah Springer, of Lexington, Mass., in encaustic, powder pigment, paper.

She says:

“Much of my work is inspired by my fascination with maps of all kinds, and what they tell us about societies’ intrinsic desire to not only create but also document their built environments. Maps of ancient ruins are often the only thing left of ancient or prehistoric cultures – and it excites the imagination to fill in the gaps. Humans build communities, and the community’s social boundaries and cultural customs are expressed in the patterns of those maps. Often, our worlds shape us as much as we shape them. I strive to convey the embodied spirit of those former or imagined worlds in material form.’’

She is a member of New England Wax